The Psychology of Music

Book Review: The Psychology of Music

The Psychology of Music, written by Diana Deutsch and published by Gulf Professional Publishing in 1999, is an ambitious and thought-provoking work that explores the intricate relationship between music and psychology. This book is an exceptional read for anyone interested in understanding the power of music and how it impacts our lives.

One of the most impressive aspects of The Psychology of Music is its comprehensiveness. With a page count of 807, this book covers a vast range of topics related to psychology and music. From the role of emotions in musical experience to the neuroscience behind musical perception, Deutsch’s exploration will undoubtedly expand your understanding of music.

What resonates most with me about this book is its ability to challenge preconceived notions about how we relate to music. Deutsch argues that there are no universal responses to music, which means that what one person finds pleasurable or soothing could be entirely different from another person’s experience. This notion is backed up by scientific research and makes for fascinating reading.

While the depth and breadth of The Psychology of Music are impressive, some readers may find parts of the book overly technical or dense. However, for those willing to tackle it, this book offers a rewarding intellectual adventure that will leave you with a deeper appreciation for the power music holds over us.

Overall, I highly recommend this book to anyone who has ever stopped to wonder why certain songs make them feel a certain way or why we are hardwired as humans to respond emotionally to music. The Psychology of Music provides plenty of insights into these questions and will undoubtedly change your perspective on what it means to experience one of life’s greatest pleasures: listening to great music.

See also  The Art of Executing Well

The Psychology of Music

publishedDate : 1999

authors : Diana Deutsch

publishers : Gulf Professional Publishing

pageCount : 807

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Music activates just about all of the brain. Music has been shown to activate some of the broadest and most diverse networks of the brain. Of course, music activates the auditory cortex in the temporal lobes close to your ears, but that’s just the beginning. The parts of the brain involved in emotion are not only activated during emotional …

Psychology of Music: SAGE Journals

Psychology of Music . Psychology of Music publishes peer reviewed papers directed at increasing the scientific understanding of any psychological aspect of music . These include studies on listening, performing, creating, memorising, analysing, describing, learning, … | View full journal description. This journal is a member of the Committee on …

Psychology Of Music


Psychology Of Music

Author by : Diana Deutsch
Languange Used : en
Release Date : 2013-10-22
Publisher by : Elsevier

ISBN :

Description : The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of information that can be discarded in the synthetic replication of a sound without distorting perceived timbre. Comprised of 18 chapters, this book begins with a review of the classical psychoacoustical literature on tone perception, focusing on characteristics of particular relevance to music. The attributes of pitch, loudness, and timbre are examined, and a summary of research methods in psychoacoustics is presented. Subsequent chapters deal with timbre perception; the subjective effects of different sound fields; temporal aspects of music; abstract structures formed by pitch relationships in music; different tests of musical ability; and the importance of abstract structural representation in understanding how music is performed. The final chapter evaluates the relationship between new music and psychology. This monograph should be a valuable resource for psychologists and musicians....






The Psychology Of Music


The Psychology Of Music

Author by : Diana Deutsch
Languange Used : en
Release Date : 1999
Publisher by : Gulf Professional Publishing

ISBN :

Description : On interpreting musical phenomena in terms of mental function...






Psychology Of Music


Psychology Of Music

Author by : Elizabeth Hellmuth Margulis
Languange Used : en
Release Date : 2018-11
Publisher by : Oxford University Press, USA

ISBN :

Description : Music has been examined from multiple perspectives: as a product of human history, for example, or a product of human culture. But there is also a long tradition, intensified in recent decades, of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. Written in a lively and accessible manner, this volume connects the science to larger questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike. For example: Why can one musical performance move an audience to tears, and another compel them to dance, clap, or snap along? How does a "hype" playlist motivate someone at the gym? And why is that top-40 song stuck in everyone's head? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable....






Psychology Of Music


Psychology Of Music

Author by : Siu-Lan Tan
Languange Used : en
Release Date : 2017-11-02
Publisher by : Routledge

ISBN :

Description : In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music....






Psychology Of Music


Psychology Of Music

Author by : Siu-Lan Tan
Languange Used : en
Release Date : 2010-03-31
Publisher by : Psychology Press

ISBN :

Description : Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume. This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed. This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music....






The Psychology Of Music In Multimedia


The Psychology Of Music In Multimedia

Author by : Siu-Lan Tan
Languange Used : en
Release Date : 2013-06-27
Publisher by : Oxford University Press

ISBN :

Description : For most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. The Psychology of Music in Multimedia is the first book dedicated to this fascinating topic. The Psychology of Music in Multimedia presents a wide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological framework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested. Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research examining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including entertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Finally, the closing chapter in Part Five identifies emerging themes and points to the value of broadening the scope of research to encompass multisensory, multidisciplinary, and cross-cultural perspectives to advance our understanding of the role of music in multimedia. This is a valuable book for those in the fields of music psychology and musicology, as well as film and media studies....






The Psychology Of Music


The Psychology Of Music

Author by : John Booth Davies
Languange Used : en
Release Date : 1978
Publisher by : Hutchinson Radius

ISBN :

Description : Drawing on current research in psychology and social psychology, the author explores the underlying processes of this need, in a fluent and lively style. Unlike many serious studies of music, the book is concerned not just with classical music but equally with pop, jazz, and folk. The author is principally concerned with the listener, and with the many theories of 'musicality.' The discussion ranges from the physics of sound through musical aesthetics--why people like the tunes they do; the testing of musical aptitude; the use of rhythm in western music, and concludes with some irreverent speculations about the personality of musicians and their instruments. While fully acknowledging the limitations of a pragmatic approach to such an emotive topic as music, the author aims to show that such things as 'good taste', 'sensitivity', and 'musical understanding' are not the magical properties of some kind of musical priesthood, but comprehensible entities, common in varying degrees to everyone....






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